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Christian Movie Review

Spies in Disguise Christian Movie Review

(2019)

Super spy Lance Sterling and scientist Walter Beckett are almost exact opposites. Lance is smooth, suave and debonair. Walter is... not. But what Walter lacks in social skills he makes up for in smarts and invention, creating the awesome gadgets Lance uses on his epic missions. But when events take an unexpected turn, Walter and Lance suddenly have to rely on each other in a whole new way.

This animated spy comedy keeps a light, fast-moving tone, but it includes repeated action peril, threat language, weapons talk, and a few rude moments. Its strongest family discussion point is the contrast between force, pride, and self-reliance versus teamwork, humility, and using gifts to protect others.

Start with the content rating, then use the Christian guidance rating to decide how much conversation your family may need.

Content

Content Rating: 5/10

Moderate

The movie opens with gadget demonstrations tied to crime-fighting, including a loud incapacitating device, an "inflatable hug," and a glitter cloud meant to stop bad guys. The tone is comic, but the whole setup is built around confronting enemies.

Christian Guidance

Christian Guidance: 7/10

Meaningful Guidance

The film leans on human skill and self-confidence as the answer to evil, which may conflict with a Christian view of our need for God’s wisdom and grace.

Spy action peril Weapons and threats Mild rude humour

Content Indicators

Violence / Intensity

Some

The movie opens with gadget demonstrations tied to crime-fighting, including a loud incapacitating device, an "inflatable hug," and a glitter cloud meant to stop bad guys. The tone is comic, but the whole setup is built around confronting enemies.

Language

Some

Language is mild overall. The main recurring put-down is "weird," aimed at Walter, and there is one unfinished exclamation, "What the..." Rude humor includes a bird-dropping gag and a joking line, "Still wanna kill me? No. Just the opposite," spoken in a parent-child comic exchange.

Sexual Content

Minimal

Sexual content is light. A flirtatious pigeon gag appears, and there is some mild body-based comedy. For most families, this is more awkward than serious.

Occult / Spiritual

Minimal

Occult material does not stand out here. The story uses spy gadgets, science-fiction technology, and comic transformation rather than spiritual practices or supernatural teaching.

Faith & Values Conflict

Some

The film leans on human skill and self-confidence as the answer to evil, which may conflict with a Christian view of our need for God’s wisdom and grace.

Cultural Messaging

Minimal

Walter is mocked as "weird," but his mother answers, "What's wrong with weird? The world needs weird." The film treats unusual gifts and personality differences as something to value. Parents may want to discuss how our worth comes from being made by God, not from others' approval.

Good discussion potential - see family prompts below
Rachel Hale portrait

Human Reviewed

Reviewed by Rachel Hale

Senior Family Review Editor

Reviewed 23 April 2026

Rachel focuses on animated films, family viewing habits, and helping parents spot worldview themes quickly.

Spies in Disguise Christian Movie Review (2019)

Guidance: Talk Together

This animated spy comedy keeps a light, fast-moving tone, but it includes repeated action peril, threat language, weapons talk, and a few rude moments. Its strongest family discussion point is the contrast between force, pride, and self-reliance versus teamwork, humility, and using gifts to protect others.

Why This Guidance Level

Spies in Disguise is a broadly family-friendly animated adventure, but the action is constant enough that many parents will want to factor in the threats, fighting, weapons, and moments of peril. The bigger reason for discussion is the film’s moral framework: it pushes against reckless violence in helpful ways, yet it also celebrates swagger, self-made heroism, and human ingenuity in ways that benefit from Christian conversation about humility, wisdom, and love of neighbor.

Faith & Worldview Perspective

The film warmly affirms that unusual gifts can be used for good, that people need each other, and that strength is not the same as cruelty. Walter’s line, “The world needs weird,” lands as a defense of God-given difference rather than a rejection of created identity, and the story values protecting others over simply overpowering enemies. At the same time, the movie’s moral center is mostly humanistic and pragmatic rather than rooted in truth, sin, or redemption in Jesus Christ. Heroism is framed through talent, confidence, and cleverness more than sacrificial dependence on God. Parents may want to discuss how Christian hope in Christ gives a deeper reason to value mercy, humility, and peacemaking.

Truths Reflected

  • People with different gifts can serve and protect others together.
  • Mercy and restraint can be wiser than using force whenever possible.

Tensions to Discuss

  • The film leans on human skill and self-confidence as the answer to evil, which may conflict with a Christian view of our need for God’s wisdom and grace.
  • Its message about nonviolence is helpful, but it is presented mainly as a technique that works rather than as love of neighbor grounded in Christ.

Content & Discernment Markers

Occult & Spiritual Content

  • Occult material does not stand out here. The story uses spy gadgets, science-fiction technology, and comic transformation rather than spiritual practices or supernatural teaching.

Sexuality & Relationships

  • Sexual content is light. A flirtatious pigeon gag appears, and there is some mild body-based comedy. For most families, this is more awkward than serious.

Identity Themes

  • Walter is mocked as “weird,” but his mother answers, “What’s wrong with weird? The world needs weird.” The film treats unusual gifts and personality differences as something to value. Parents may want to discuss how our worth comes from being made by God, not from others’ approval.

Violence & Intensity

  • The movie opens with gadget demonstrations tied to crime-fighting, including a loud incapacitating device, an “inflatable hug,” and a glitter cloud meant to stop bad guys. The tone is comic, but the whole setup is built around confronting enemies.
  • Spy action includes guns, an arms dealer, a dangerous attack drone, hand-to-hand fighting, knockouts, choking, pursuit, and repeated threat language. Lines like “Over my dead body,” “I’m gonna show you pain that you can’t imagine,” and “Make it hurt” raise the intensity beyond simple slapstick, even though the film stays in animated family-adventure territory.
  • Lance casually boasts through violence, saying, “I’m just gonna take his gun” and “I’m just gonna knock you out,” and later jokes, “Just 3 ounces of pressure to the vagus nerve… Sleepy night-night.” The humor softens the moment, but parents may want to discuss the difference between comic style and real-world harm.

Language & Humour

  • Language is mild overall. The main recurring put-down is “weird,” aimed at Walter, and there is one unfinished exclamation, “What the…” Rude humor includes a bird-dropping gag and a joking line, “Still wanna kill me? No. Just the opposite,” spoken in a parent-child comic exchange.

Other Content Notes

  • The film strongly contrasts Lance’s prideful “I fly solo” attitude with Walter’s partnership mindset, including “Team Weird? Team Weird.” That gives families a natural opening to talk about humility, teachability, and serving others together.
  • A parent dies off-screen, and the emotional effect matters to the story even though the film keeps moving quickly. Sensitive children may feel that loss more than the comedy suggests.

Notable Moments

  • Team Weird encouragement: Walter’s mother reassures him when he feels out of place and frames his unusual ideas as a gift that can help others.

    “What’s wrong with weird? The world needs weird.”

  • Solo hero mindset: Lance rejects backup and defines himself by independence and reputation.

    “I fly solo.”

  • Threat escalation: A villain promises severe pain during a fight scene, pushing the action beyond purely playful banter.

    “I’m gonna show you pain that you can’t imagine.”

  • Comic violence framing: Lance turns a takedown into a joke, which keeps the tone light while still normalizing knockout-style force.

    “Just 3 ounces of pressure to the vagus nerve… Sleepy night-night.”

Discussion Prompts

  • Using gifts to serve others: Walter is called weird, but his mother tells him his ideas can help keep people safe. How can unusual gifts be used to love and serve others instead of just standing out?
    • Biblical guidance: God gives different gifts for the good of others, and every part of the body matters.
    • Scripture: 1 Corinthians 12:4-7, Romans 12:4-6
  • Strength, pride, and humility: Why does Lance want to work alone? What changes when he has to rely on someone else?
    • Biblical guidance: Scripture warns against pride and calls us to humility, teachability, and wise partnership.
    • Scripture: Proverbs 16:18, Philippians 2:3-4
  • Violence versus peacemaking: The movie often prefers nonlethal solutions, but it still makes fighting look cool. What is the difference between stopping evil and enjoying harm?
    • Biblical guidance: Christians are called to be peacemakers and to resist revenge, while still caring about justice and protection.
    • Scripture: Matthew 5:9, Romans 12:17-21
  • Where true hope comes from: The film puts a lot of trust in talent, gadgets, and confidence. Where should our deepest confidence really rest?
    • Biblical guidance: Human skill can be useful, but our ultimate hope and wisdom come from God through Jesus Christ.
    • Scripture: Psalm 20:7, James 1:5, John 15:5

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Official regional ratings

Local ratings remain available for reference, but LionLens separates those classifications from Christian family discernment.

AU: PG US: PG NZ: PG UK: PG CA: PG

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LionLens reviews are written with subtitle and dialogue evidence where available, official regional ratings data, source research, and final human editorial review before publication.

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